CS-1
reference: every page, every sound
Generated from the firmware's own page table, so what is here is what the screen shows. The cap colour is the slider's on the screen, following the CS-80's panel; the legends are the slider's ends.
The pages
- TONES (HOME)
- VCO (EDIT)
- VCO 2 (EDIT)
- VCF (EDIT)
- VCF EG (EDIT)
- VCA EG (EDIT)
- VCA (EDIT)
- TOUCH (EDIT)
- SUB OSC (LFO)
- SUB OSC 2 (LFO)
- TOUCH RESP (LFO)
- AUTO AT (LFO)
- PERFORM (ARP)
- KEYBOARD (ARP)
- SUSTAIN (ARP)
- RIBBON (ARP)
- RING MOD (FX)
- CHORUS (FX)
- DELAY (FX)
- DELAY 2 (FX)
- REVERB (FX)
- REVERB 2 (FX)
- PHASER (FX)
- MAIN (GLO)
- MIDI (GLO)
- KEYS (GLO)
- KEYS 2 (GLO)
TONES · HOME
The HOME page: the two rows of tone buttons, the sound's name, and the lower panel's performance levers.
| Knob | Name | Range | What it does |
|---|---|---|---|
| KNOB 1 | BRILL | - … + global | Opens or closes every filter: a global cutoff offset. |
| KNOB 2 | RESO | - … + global | More or less resonance on every filter. |
| KNOB 3 | MIX | I … II global | The balance between channel I (left) and II (right); both at the middle. |
| KNOB 4 | VOLUME | 0 … 10 global | The output level before the master knob. |
VCO · EDIT
The oscillator of the channel being edited (SEL picks I or II). The CS-80's VCO section.
| Knob | Name | Range | What it does |
|---|---|---|---|
| KNOB 1 | FEET | 16' … 2' channel | The channel's octave: 16', 8' (concert pitch), 4', 2'. |
| KNOB 2 | WAVE | SAW PULSE BOTH channel | Sawtooth, pulse, or both. |
| KNOB 3 | PW | 50% … 90% channel | The pulse's width, 50 % (square) to 90 %. |
| KNOB 4 | PWM | 0 … 10 channel | How far the pulse width is swept by the channel's own PWM oscillator. |
VCO 2 · EDIT
The rest of the VCO section and the two source levels of the VCA section: how much of the filtered signal and of the pure sine reaches the amplifier.
| Knob | Name | Range | What it does |
|---|---|---|---|
| KNOB 1 | SPEED | SLOW … FAST channel | The PWM oscillator's rate. |
| KNOB 2 | NOISE | 0 … 10 channel | White noise mixed in before the filters. |
| KNOB 3 | VCF | 0 … 10 channel | The filtered signal's level into the amplifier. |
| KNOB 4 | SINE | 0 … 10 channel | The pure sine's level into the amplifier: it bypasses the filters, so it adds body the filter cannot take away. |
VCF · EDIT
The channel's two filters in series: a high-pass into a low-pass, 12 dB an octave each, with their own resonance.
| Knob | Name | Range | What it does |
|---|---|---|---|
| KNOB 1 | HPF | LOW … HIGH channel | The high-pass filter's cutoff. |
| KNOB 2 | RES.H | LOW … HIGH channel | Its resonance. |
| KNOB 3 | LPF | LOW … HIGH channel | The low-pass filter's cutoff. |
| KNOB 4 | RES.L | LOW … HIGH channel | Its resonance. Neither filter self-oscillates, as on the CS-80. |
VCF EG · EDIT
The filter envelope. It has no sustain: it starts at IL, reaches AL over the attack, falls back to the resting cutoff over the decay, and on release returns to IL over VCF R (VCA page).
| Knob | Name | Range | What it does |
|---|---|---|---|
| KNOB 1 | IL | - … + channel | Initial level: where the cutoff starts at a note, below (−) or above (+) its resting setting. |
| KNOB 2 | AL | - … + channel | Attack level: where the attack takes it before the decay brings it back. |
| KNOB 3 | A | SHORT … LONG channel | Attack time, 1 ms to 12 s. |
| KNOB 4 | D | SHORT … LONG channel | Decay time. |
VCA EG · EDIT
The amplifier's envelope: attack, decay, sustain, release.
| Knob | Name | Range | What it does |
|---|---|---|---|
| KNOB 1 | A | SHORT … LONG channel | Attack time. |
| KNOB 2 | D | SHORT … LONG channel | Decay time. |
| KNOB 3 | S | 0 … 10 channel | Sustain level. |
| KNOB 4 | R | SHORT … LONG channel | Release time. |
VCA · EDIT
The filter envelope's release and the channel's level.
| Knob | Name | Range | What it does |
|---|---|---|---|
| KNOB 1 | VCF R | SHORT … LONG channel | The filter envelope's release: how long the cutoff takes to return to IL after the key goes. |
| KNOB 2 | LEVEL | 0 … 10 channel | The channel's level. |
TOUCH · EDIT
Touch response: how velocity (initial) and pressure (after) brighten and louden the channel. Pressure comes from aftertouch, the expression CC, or the auto after touch curve.
| Knob | Name | Range | What it does |
|---|---|---|---|
| KNOB 1 | I.BRIL | 0 … 10 channel | Initial brilliance: velocity opens the filters. |
| KNOB 2 | I.LEV | 0 … 10 channel | Initial level: velocity sets the loudness. At 0 velocity has no effect, as on the CS-80. |
| KNOB 3 | A.BRIL | 0 … 10 channel | After brilliance: pressure opens the filters, up to three octaves. |
| KNOB 4 | A.LEV | 0 … 10 channel | After level: the note sits 6 dB down until pressed, at full. |
SUB OSC · LFO
The sub oscillator, the CS-80's LFO, for all voices: its function (shape), speed and how much goes to pitch and filter.
| Knob | Name | Range | What it does |
|---|---|---|---|
| KNOB 1 | FUNC | SINE TRI SAW SAW DN SQR global | The shape: sine, triangle, sawtooth, inverted sawtooth, square. |
| KNOB 2 | SPEED | SLOW … FAST global | Its rate, 0.1 to 40 Hz. |
| KNOB 3 | VCO | 0 … 10 global | Vibrato depth, up to two semitones. |
| KNOB 4 | VCF | 0 … 10 global | Filter sweep depth, up to two octaves. |
SUB OSC 2 · LFO
The sub oscillator to the amplifier (tremolo), and its sync to MIDI clock.
| Knob | Name | Range | What it does |
|---|---|---|---|
| KNOB 1 | VCA | 0 … 10 global | Tremolo depth. |
| KNOB 2 | SYNC | FREE 1/4 … 4 BAR global | The cycle locked to the clock: a quarter, a half, one, two or four bars. MIDI start restarts it. |
TOUCH RESP · LFO
The performance touch levers: the initial pitch bend (a note starts below pitch and slides up, by velocity) and pressure into the sub oscillator's speed, pitch depth and filter depth.
| Knob | Name | Range | What it does |
|---|---|---|---|
| KNOB 1 | P.BEND | 0 … 10 global | Initial pitch bend: the note starts up to two semitones below and slides up, more with velocity. |
| KNOB 2 | SPEED | 0 … 10 global | Pressure speeds the sub oscillator up. |
| KNOB 3 | VCO | 0 … 10 global | Pressure adds vibrato. |
| KNOB 4 | VCF | 0 … 10 global | Pressure adds filter sweep. |
AUTO AT · LFO
A pressure curve every note plays by itself, for when nothing sends aftertouch: a wait, a rise to a level, a fall after the key goes. SEQ switches it on and off.
| Knob | Name | Range | What it does |
|---|---|---|---|
| KNOB 1 | DELAY | SHORT … LONG global | How long after the note the curve starts, up to about four seconds. |
| KNOB 2 | RISE | SHORT … LONG global | How long it takes to reach its level. |
| KNOB 3 | LEVEL | 0 … 10 global | The pressure it reaches; 0 switches the curve off. |
| KNOB 4 | FALL | SHORT … LONG global | How fast it dies away after the key goes. |
PERFORM · ARP
Portamento and glissando, channel II's detune, and VINTAGE: each voice drifting a few cents of its own.
| Knob | Name | Range | What it does |
|---|---|---|---|
| KNOB 1 | PORTA | SHORT … LONG global | Portamento time: about two seconds an octave at full. 0 is off. |
| KNOB 2 | GLISS | OFF ON global | Glissando: the glide in semitone steps. |
| KNOB 3 | DETUNE | - … + global | Channel II sharp or flat against I, about half a semitone each way. |
| KNOB 4 | VINTAG | 0 … 10 global | Vintage: each voice wanders to a new tuning offset every second or so, up to 12 cents. |
KEYBOARD · ARP
Keyboard control: brilliance and level tilted towards the low or the high end of the keyboard. Nothing at middle C, full effect three octaves out.
| Knob | Name | Range | What it does |
|---|---|---|---|
| KNOB 1 | BRIL.LO | - … + global | Brighter (+) or darker (−) towards the bottom of the keyboard. |
| KNOB 2 | BRIL.HI | - … + global | The same towards the top. |
| KNOB 3 | LEV.LO | - … + global | Louder or quieter towards the bottom (it can only cut). |
| KNOB 4 | LEV.HI | - … + global | The same towards the top. |
SUSTAIN · ARP
Mode I sustains every note on its own; mode II ends the sustain of the chord before when a new one is played.
| Knob | Name | Range | What it does |
|---|---|---|---|
| KNOB 1 | MODE | I II setting | I or II. |
RIBBON · ARP
The SELECT encoder is the ribbon: turning it bends the pitch of everything sounding, as the CS-80's ribbon did. Instrument settings.
| Knob | Name | Range | What it does |
|---|---|---|---|
| KNOB 1 | HOLD | OFF ON setting | OFF: the spring returns the bend to centre when the knob is still. ON: it stays where you leave it, and turning back through centre lands exactly on it. |
| KNOB 2 | RANGE | FINE … WIDE setting | How far a detent bends: 5 cents at FINE to two semitones at WIDE (two octaves at most). |
| KNOB 3 | RETURN | FAST … SLOW setting | The spring's time back to centre, 50 ms to 5 s (when HOLD is off). |
| KNOB 4 | DELAY | NONE … LONG setting | How long the bend stays put after the knob goes still before the spring takes it back: none to 3 s, finer at the short end. The default is about 150 ms. |
RING MOD · FX
The ring modulator on both channels' sum: a sine carrier, its rate pushed up by an attack / decay envelope at every note.
| Knob | Name | Range | What it does |
|---|---|---|---|
| KNOB 1 | MOD | 0 … 10 global | How much of the ring-modulated signal replaces the plain one. |
| KNOB 2 | SPEED | SLOW … FAST global | The carrier's rate, 0.5 Hz to 2 kHz: slow is a tremolo, fast is bells. |
| KNOB 3 | DEPTH | 0 … 10 global | How far the envelope pushes the rate up. |
| KNOB 4 | ATTACK | SHORT … LONG global | The envelope's attack. |
CHORUS · FX
The ring modulator's envelope decay, and the chorus / tremolo: the CS-80's slow phasing tremolo between left and right (stereo here).
| Knob | Name | Range | What it does |
|---|---|---|---|
| KNOB 1 | R.DECAY | SHORT … LONG global | The ring modulator envelope's decay. |
| KNOB 2 | MODE | OFF CHORUS TREM global | Off, chorus (slow and wide) or tremolo (faster, deeper in level). |
| KNOB 3 | SPEED | SLOW … FAST global | Its rate. |
| KNOB 4 | DEPTH | 0 … 10 global | Its depth. |
DELAY · FX
A stereo delay, with SYNC overriding TIME in note divisions of the MIDI clock.
| Knob | Name | Range | What it does |
|---|---|---|---|
| KNOB 1 | TIME | SHORT … LONG global | 10 ms to 1.1 s, when SYNC is FREE. |
| KNOB 2 | FEEDBK | 0 … 10 global | Repeats. |
| KNOB 3 | MIX | 0 … 10 global | The delay's level; 0 is off. |
| KNOB 4 | SYNC | FREE 1/16 … 1/2 global | FREE, or a note division of the MIDI clock that overrides TIME. |
DELAY 2 · FX
The delay's ping-pong, the damping in its feedback, its sync, and TAPE: the character of a tape echo.
| Knob | Name | Range | What it does |
|---|---|---|---|
| KNOB 1 | PING | OFF ON global | The right side on a tap at half the time. |
| KNOB 2 | DAMP | 0 … 10 global | A low-pass in the feedback: repeats get darker. |
| KNOB 3 | SYNC | FREE 1/16 … 1/2 global | As on the DELAY page. |
| KNOB 4 | TAPE | 0 … 10 global | A tape echo's character: the repeats wander a little (wow and flutter), darken each pass and saturate in the feedback. 0 is the clean delay. |
REVERB · FX
A plate after Dattorro: diffused input, two cross-coupled tanks with slowly wandering allpasses, damping in the loop. With a shimmer: the output fed back an octave up.
| Knob | Name | Range | What it does |
|---|---|---|---|
| KNOB 1 | MIX | 0 … 10 global | The reverb's level; 0 is off. |
| KNOB 2 | SIZE | SHORT … LONG global | The decay, half a second to about 25 s. |
| KNOB 3 | DAMP | 0 … 10 global | Darkens the tail. |
| KNOB 4 | SHIMMR | 0 … 10 global | Feeds the tail back an octave up: it climbs in octaves. Its loop never runs away. |
REVERB 2 · FX
The shimmer's interval.
| Knob | Name | Range | What it does |
|---|---|---|---|
| KNOB 1 | SHIFT | 1 … 24 global | The interval the shimmer feeds back at, in semitones: 12 is the octave, 7 a fifth, 19 an octave and a fifth. |
PHASER · FX
A six-stage phaser, the right side a quarter turn behind the left. Not on the CS-80; of its era.
| Knob | Name | Range | What it does |
|---|---|---|---|
| KNOB 1 | RATE | SLOW … FAST global | The sweep's speed, 0.1 to 9 Hz. |
| KNOB 2 | DEPTH | 0 … 10 global | How far the sweep travels, 100 Hz to 5 kHz at full. |
| KNOB 3 | FEEDBK | 0 … 10 global | Feedback round the stages: sharper notches. |
| KNOB 4 | MIX | 0 … 10 global | The phased signal added to the dry; 0 is off. |
MAIN · GLO
The lower panel's levers: brilliance and resonance offsets for every filter, TONE, the output level. TONE is an instrument setting rather than part of a sound.
| Knob | Name | Range | What it does |
|---|---|---|---|
| KNOB 1 | BRILL | - … + global | As on HOME. |
| KNOB 2 | RESO | - … + global | As on HOME. |
| KNOB 3 | TONE | OPEN … WARM setting | A gentle 12 dB per octave roll-off above the filters, as the instrument's output stage has it: off at 0, 2.4 kHz at 100 (the CS-80 V's, measured), 1.6 kHz at full. It takes the glass off the sawtooth; BRILL on HOME still opens the filters under it. |
| KNOB 4 | VOLUME | 0 … 10 global | As on HOME. |
MIDI · GLO
The channel listened to, which CC acts as pressure, program change on or off, and the learned CC bindings (turn down to clear).
| Knob | Name | Range | What it does |
|---|---|---|---|
| KNOB 1 | CHAN | OMNI … 16 setting | OMNI, or a channel 1 to 16. |
| KNOB 2 | EXPR | AT … CC setting | AT only, or a CC number that also acts as pressure (CC 1 by default). |
| KNOB 3 | PROG | OFF ON setting | Program change on or off. |
| KNOB 4 | LEARNS | 0 … 127 setting | How many CCs are bound to parameters; turn it down to 0 to clear them. |
KEYS · GLO
Velocity and pressure from the FM-1's own keys (Velo's sensing): twenty of the keys, F3 to C5, sit on rows the chip can measure; the carbon pill under each reads softer or harder as you press. Instrument settings.
| Knob | Name | Range | What it does |
|---|---|---|---|
| KNOB 1 | SENSE | OFF ON setting | ON: the sensed keys play with velocity and send polyphonic pressure; OFF: every key plays at velocity 100, as a switch. |
| KNOB 2 | DRIVE | 0 … 4 setting | How hard the row is driven while a key is read, 1 to 4; 2 measured best (firm presses repeat within a few counts). 0 reads through the pull-up alone, which barely tells presses apart. |
| KNOB 3 | CURVE | HARD … SOFT setting | The velocity curve's bend: HARD makes a given press play louder, SOFT quieter. Free playing should sit around 60. |
| KNOB 4 | LIGHT | LOW … HIGH setting | The reading of the lightest press that still plays: velocity 1. Lower it if soft notes come out louder than you mean. |
KEYS 2 · GLO
The pressure range and the top row's fixed velocity.
| Knob | Name | Range | What it does |
|---|---|---|---|
| KNOB 1 | SENSIT | LOW … HIGH setting | How much lean is full pressure, counted from where the key rests (the zero follows the key as it settles) and curved so a light lean does little: LOW wants a hard press, HIGH a squeeze. |
| KNOB 2 | TOP VEL | 1 … 127 setting | The velocity of the seven top keys, C#5 to G5, which have no measurable row. |
The sounds
In PRESETS order, which is also the program change number. Each pairs a row I tone with a row II tone, as the instrument does. The classic ones are recipes after what is documented about the records, not transcriptions: a guide to the character.
| # | Sound | Channel I | Channel II | Notes | |
|---|---|---|---|---|---|
| Vangelis | |||||
| 0 | BLADE BRASS | Brass 1 | Brass 2 | The Blade Runner brass from the presets: detuned, a slow swell, vibrato and brightness under pressure, chorus, a little glide. | Try |
| 1 | BR BLUES | String 3 | Brass 3 | A high, bright, expressive lead for Blade Runner Blues: String 3 at 4' over Brass 3, pressure vibrato, a long synced ping-pong tail. | Try |
| 2 | BR FLUTE | Flute | Organ 2 | The Main Titles flute line: Flute over a quiet Organ 2 an octave down, long portamento for the glides. | Try |
| 3 | BR STRINGS | String 1 | String 2 | The Blade Runner string pad: slow, chorused, a touch of shimmer. | Try |
| 4 | CHARIOTS | Brass 1 | Brass 3 | Chariots of Fire brass with its echo, synced to dotted eighths. | Try |
| 5 | UNKNOWN MAN | Brass 1 | String 2 | To the Unknown Man: a brass lead with deep pressure vibrato. | Try |
| 6 | BR BRASS 2 | Brass 1 | Brass 2 | Syntorial's documented recipe: two 50 % pulses an octave apart and 6 cents off, PWM at ~4 Hz, a 650 ms filter swell falling over 10 s. | Try |
| 7 | BRASS SWELL | Brass 1 | Brass 2 | MusicTech's brass swell: two saws at 60 / 40, a third of the filter range over a second, tape-style delay (a 10 s reverb is set up; add MIX). | Try |
| 8 | BR BLUES 2 | Brass 1 | Brass 2 | Blade Runner Blues as a player set it on the Arturia: Brass 1 + 2 with the performance side up. | Try |
| 9 | END TITLES | Brass 1 | Brass 2 | The End Titles' sequenced bass: two saws an octave apart under the filter envelope. Sequence it. | Try |
| 10 | CHIMES | Flute | Bass | The manual's Bells & Gongs: Flute + Bass at 4' with the ring modulator fully in. | Try |
| Toto, Thriller | |||||
| 11 | AFRICA | String 1 | String 4 | Africa: String 1 + String 4, channel I forward, brilliance down, resonance up, sparing chorus (Reverb Machine). | Try |
| 12 | AFRICA 2 | String 3 | String 4 | Syntorial's Africa: a saw into a half-closed filter, the amplitude decaying over 10 s. | Try |
| 13 | ROSANNA | Brass 1 | Brass 2 | Rosanna's brass pad. | Try |
| 14 | HUMAN NATURE | String 1 | Brass 2 | Human Nature: String 1 + Brass 2, resonance high, a long release on I, and the glide chromatic (GLISS), as Porcaro played it. | Try |
| 15 | BILLIE JEAN | String 1 | Brass 2 | Billie Jean's chord vamp: the same pair without the glide. | Try |
| 16 | BILLIE KEYS | Harpsichord 1 | Harpsichord 2 | Syntorial's Billie Jean keys: a narrow pulse with PWM at a quarter note and a short filter blip. | Try |
| the eighties | |||||
| 17 | BORN USA | Brass 1 | String 2 | Born in the U.S.A.'s intro chords: bright brass over strings. | Try |
| 18 | XMAS BASS | String 1 | Bass | Wonderful Christmastime: the Bass preset alone, the sub oscillator's inverted saw into the filter at ~3 Hz, resonance up. | Try |
| 19 | WHO BASS | Bass | Bass | The 1980 Doctor Who bass: Bass at 16' and 8', resonant, with an envelope snap. | Try |
| 20 | BABOOSHKA | Flute | Organ 2 | Babooshka's intro lead: a flute with glide and vibrato. | Try |
| 21 | DUCHESS | String 3 | String 4 | Genesis' Duchess: strings with a slow glide. | Try |
| 22 | TURN IT ON | Brass 1 | Brass 3 | Turn It On Again: a punchy brass line. | Try |
| 23 | TIME STRINGS | String 1 | String 2 | ELO's Time: thick chorused strings, slow attack. | Try |
| 24 | VIENNA | String 1 | Brass 3 | Ultravox: cold strings over brass, a synced echo. | Try |
| 25 | OXYGENE | String 3 | String 4 | Jarre: a PWM string pad with a slow filter sweep and a wide chorus. | Try |
| 26 | ENO WASH | String 3 | Organ 2 | Eno's wash: a dark pad with a very long attack and a huge, dark reverb with shimmer set up on the REVERB page (add MIX). | Try |
| 27 | WALKING | String 3 | Funky 2 | Walking on a Dream: a saw with a PWM square through a bandpass, the chorus fast and deep. | Try |
| 28 | 4001 PLUCK | String 3 | String 4 | Squarepusher's 4001 pluck, as documented: both filters on, resonance up, a short filter decay, a long release. | Try |
| 29 | 4001 STRINGS | String 1 | String 2 | 4001's strings: an octave apart, filters open, brilliance up, vibrato at 4 Hz. | Try |
| 30 | LONG BRASS | Brass 2 | Brass 3 | Metric's slow brass: a long attack, the filter opening under pressure. | Try |
| 31 | SHRIEK LEAD | Funky 3 | Funky 1 | Jesper Kyd's high, screaming lead: Funky 3 at 2'. | Try |
| 32 | SQUELCH BASS | Funky 1 | Bass | Dillinger's squelchy bass. | Try |
| the manual's own examples and the plain pairs | |||||
| 33 | TRUMPET | Brass 1 | Brass 2 | The manual's trumpet: a saw with IL and AL fully apart. | Try |
| 34 | CLARINET | Clavichord 1 | Electric Piano | The manual's clarinet: a 50 % square into a half-open filter. | Try |
| 35 | OBOE | Harpsichord 1 | Harpsichord 2 | The manual's oboe: a 90 % pulse through a narrow bandpass. | Try |
| 36 | TIMPANI | Guitar 1 | Bass | The manual's timpani: a noise mallet over a 16' drum. | Try |
| 37 | STRINGS 1+2 | String 1 | String 2 | Try | |
| 38 | BRASS 1+2 | Brass 1 | Brass 2 | Try | |
| 39 | FLUTE+BASS | Flute | Bass | Try | |
| 40 | ORGANS | Organ 1 | Organ 2 | Try | |
| 41 | CLAVS | Clavichord 1 | Clavichord 2 | Try | |
| 42 | HARPSI | Harpsichord 1 | Harpsichord 2 | Try | |
| 43 | E.PIANO | Electric Piano | String 4 | Try | |
| 44 | FUNKY 1+2 | Funky 1 | Funky 2 | Try | |
| with the effects | |||||
| 45 | TAPE PAD | String 1 | String 4 | Strings 1 + 4 slow, a synced tape echo under a long plate, the phaser drifting: the effects as part of the sound. | Try |
| 46 | SHIMMER CHOIR | Flute | String 4 | A flute at 8' with strings an octave up and the sine up: slow, and the plate's shimmer climbing behind it. | Try |
| 47 | PHASE STRINGS | String 1 | String 2 | Strings 1 + 2 through the phaser at full, feedback high: the seventies string machine. | Try |
| 48 | ECHO KEYS | Electric Piano | Clavichord 2 | Electric piano with a clavichord edge, a synced ping-pong tape echo and a small plate. | Try |
| 49 | TAPE BRASS | Brass 1 | Brass 3 | Brass 1 + 3 with the tape echo on the beat and the auto after touch leaning in: the Vangelis echo. | Try |
| 50 | DEEP DRIFT | String 3 | Bass | Strings over a 16' bass, the voices drifting far, a very slow deep phaser and a dark shimmering plate. | Try |
| after CS-80 V presets, our names | |||||
| 51 | TYRELL TOWER | its own panel | its own panel | Slow, wide strings under a long hall: the end-titles feeling. | Try |
| 52 | RAIN ON NEON | its own panel | its own panel | A dark pad with the tremolo moving and the auto after touch leaning in. | Try |
| 53 | BRASS SECTION | its own panel | its own panel | A full brass section from two sawtooths, the filter opening as you lean. | Try |
| 54 | RISING BRASS | its own panel | its own panel | Brass that swells up over its attack. | Try |
| 55 | SOFT BRASS | its own panel | its own panel | A gentle brass pad for chords. | Try |
| 56 | STRING MACHINE | its own panel | its own panel | The classic CS-80 string ensemble. | Try |
| 57 | STRINGS 81 | its own panel | its own panel | Bright early-eighties strings. | Try |
| 58 | CHAMBER | its own panel | its own panel | A small, close string section. | Try |
| 59 | WARM SKY | its own panel | its own panel | A warm, slow pad. | Try |
| 60 | FIELD FLUTE | its own panel | its own panel | A breathy flute. | Try |
| 61 | ICE BELLS | its own panel | its own panel | Ring-modulated bells with a long tail. | Try |
| 62 | BELL TOWER | its own panel | its own panel | Large tuned bells. | Try |
| 63 | GLASS ORGAN | its own panel | its own panel | A narrow PWM pulse under a pure sine a fifth up, the repeats climbing a fifth. | Try |
| 64 | MUSIC BOX | its own panel | its own panel | A small, bright plucked toy. | Try |
| 65 | CLAV FUNK | its own panel | its own panel | A funky clavinet. | Try |
| 66 | SWIM BASS | its own panel | its own panel | Try | |
| 67 | FAR SHORE | its own panel | its own panel | A wide, distant pad. | Try |
| 68 | RAINDROPS | its own panel | its own panel | Soft plucked droplets. | Try |